In the experience of contemporary cities, urban residents distinguish some locations as labyrinthine and mazelike, familiar and disorienting, mysterious and adventurous. This research focuses on reproduction of such an experiment by mapping the infrastructural lines which connect Essen and Gelsenkirchen in Ruhrgebiet. Therefore more than just a ribbon, the connection line supposes to be a place for a multi-dimensional spatial experiment which creates a complex labyrinth as a new spatial state in the bordering conditions of the city. ‘Reading between the Lines’ is a thematic exploration of architecture which naturally deals concurrently with symbolic and practical aspect. In this approach, the building is not only a shelter to secure or an enclosure of functions, but is a place of connotation, substance, resource and typology. Moreover, referring to architecture as an interdisciplinary act, this project is working with several media such as photography, drawings, models and rendering. The architectural theory, to create the real space, is constantly explored in painting, sculpture, film, poetry, etc. Accordingly, in this project, the traditional sequence ‘program plus site equals form’ is intentionally inverted. So in every single step of the process the outcome of the previous step is interpreted by various methods. At the first step, some superimposed drawings, so called the final mappings, are produced which illustrate the labyrinthine spatial quality of the spaces of the lines such as ‘wandering and errors, passes and impasses, luminous breakaways and tragic seclusion’. As the second phase is a model scale based on interpretation from one final superimposed drawing result in a composition of volumes, surfaces and elements. As the final step, to develop real architectural spaces, a large number of possible orders of the fragments could be represented. Since the project is site less, thus no geographic limitation is considered. Therefore, there are infinite possible orders of the fragments without any spatial coherence. So, all the fragments become autonomous entities. In addition, focusing on specific themes and developing each fragment based on, leads spaces to be varied in scale, materiality and atmospheric experience. To distinct the heterogeneous spaces, each earn a particular name: Space of Wandering, The Wall (Space of Passage), The Tower (Space of Seclusion), etc. Various techniques of representation have been applied to narrate characteristics of these spaces vividly. Furthermore, within a series of fragments, that eventually generates its own context, understanding of scale is left to imagination of the reader, from one item to another, from mega structure to a cabin size room for one.